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  Klassik Heute:  Sehr gut

  Répertoire 7

 

We dedicate this publication to the clarinetist Eduard Brunner who is one of the closest friends of Natalia Gutman and her husband, the violinist Oleg Kagan. The artists met first in 1982 at the Kuhmo Chamber Music Festival. Since then it has been the couple’s dearest wish to play with Eduard Brunner in Moscow. As things stood in the former Soviet Union, a joint concert with musicians from the West was more or less impossible. Only due to the tremendous efforts on the part of Sviatoslav Richter the clarinetist received a visa in the last moment. When he indeed arrived in Moscow, everybody was besides oneself with joy. As Brunner remembers today, the atmosphere after this memorable concert at one of the legendary „December Evenings" with Schubert’s Octet can hardly be put into words. Later on the street deeply moved people embraced the musician from the West. These scenarios were the same at the occasion of later concerts which were always at risk to the very last minute and thus appeared as pure miracles. In retrospective it becomes evident that this unique friendship was in all those years accompanied by the first moving signs of a political change.

On this recording we present parts of recitals played at the Kagan-Festival in 1994 and 1999. We are grateful to the Kuhmo Chamber Festival for allowing us to present Hindemith's Piano Quartet which has been performed in 1998 also at the Kreuth Festival a few weeks earlier. As a symbol for the central role of Sviatoslav Richter for the circle of musicians gathering in Kreuth we present Weber’s Piano Sonata in d-minor tying together two great romantic compositions for clarinet and chamber ensemble.

Maria E. Michel-Beyerle

 

Beifall für das Konzept des Labels Live Classics! Mit Bienenfleiß wird nachgeforscht, von welchen Festivals und Konzertabenden lohnende Mitschnitte von Oleg Kagan und seinen Freunden möglich sind, um sie dann zugänglich zu machen. Das führt zu interessanten Interpretationsvergleichen mit dokumentatorischem Effekt. Das vorliegende Programm stammt vom Oleg-Kagan-Musikfest in Kreuth am Tegernsee und dem Chamber Music Festival im finnländischen Kuhmo. Programmatischer Schwerpunkt ist Webers Klarinettenquintett, von dem eine modellhafte Studioaufnahme des Klarinettisten Brunner mit dem Hagen-Quartett bereits vorliegt. Der Vergleich zeigt, wie trotz des erhöhten Risikos einer Live-Aufnahme eine makellose Darbietung mit zusätzlichem Spannungsgewinn zu erreichen ist .Auch die Werkkopplungen gewinnen eine erhöhte Flexibilität dank aufschlußreicher Besetzungswechsel und Stilvielfalt.

Gerhard Pötzig
KLASSIC HEUTE 9/00

Hindemith would be proud to share a CD with Weber, whose music he admired so much that he wrote a major orchestral piece on on one of his themes. Actually, I think Hindemith comes off best from three likeable live performances.
His 1938 work, a piano quartet with clarinet instead of viola , is a gem and it receives a jewel of a performance from the Swiss clarinettist Eduard Brunner, with Ana Chumachenko and Natalia Gutman playing the string parts superbly and the composer Katja Tchemberdji balancing the piano part sensitively.

The Weber Quintet is given a hugely enjoyable performance, but both the recording and the playing have tiny rough edges and Brunner's clarinet is slightly too far forward. The compensations are the moments of insight from five fine players, especially Brunner, Gutman and Victor Tretyakov.

Richter's rendering of Weber's D minor Piano Sonata is typical of his late manner, atternating moments of heavy-handedness with some splendid playing.

The Strad 6/01